The Ultimate Book of Sargam Patterns: Indian music permutations, classical Indian music, sargam exercises, paltas, by Keith Villanueva

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The Ultimate Book of Sargam Patterns: Indian music permutations, classical Indian music, sargam exercises, paltas, by Keith Villanueva

The Ultimate Book of Sargam Patterns: Indian music permutations, classical Indian music, sargam exercises, paltas, by Keith Villanueva

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The Ultimate Book of Sargam Patterns: Indian music permutations, classical Indian music, sargam exercises, paltas, by Keith Villanueva

This is a book on sargam permutations. This means that each note can not be repeated within a phrase. Out of 7 notes there are a possible 5,040 combinations without repeating a note within a phrase. 1 x 2 x 3 x 4 x 5 x 6 x 7 = 5,040. The notation used in this book is done using sargam notes/ swars (Sa, Re, Ga, ma, Pa, Dha, Ni) This style of practicing during riyaaz was the way that some of the greatest musicians of Indian classical music used to practice. This is more common for someone studying carnatic Indian music. This system of training is known as the “merukhand system”. This was traditionally taught orally and learned by memory though hundreds of thousands of hours of repetition. This is also a must for Jazz musicians. This will make you an improvisation master. Here is an example of a 3 number permutation using the same 3 numbers in a phrase 123, 213, 132, 312, 231, 321 These 3 numbers give you 6 possible permutations without repeating a single note within the same phrase.

  • Sales Rank: #339302 in Books
  • Published on: 2016-01-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00″ h x .46″ w x 8.50″ l, 1.07 pounds
  • Binding: Paperback
  • 202 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
Wow!!! This book is what it says! Mind blowing! A true treasure. Thank you!
By KeepItReal75
Amazing! This is the first time ever that a full book has been written on this system of practicing. This book is hardcore! This is for the dedicated musician. This book is filled with every possible permutation from 1 – 7 notes. (1 x 2 x 3 x 4 x 5 x 6 x 7 = 5,040 possible combinations / permutations without a single note being repeated within a phrase.

This is an example. The book goes from 2, 3, 4, 5, 6, & 7 note permutations.
It uses Sargam notes as Sa, Re, Ga, ma, Pa, Dha, Ni, ‘a (SRGmPDN’).

1234, 1324, 2134, 2314, 3124, 3214, 1243, 1423, 2143, 2413, 4213, 4132, 1342, 1432, 3142, 3412, 4132, 4312, 2341, 2431, 3241, 3421, 4231, 4321.
So with 4 notes you have a max of 24 permutations. I did it with numbers but the book does it with sargam notes.

This is 3 notes SRG, RSG, SGR, GSR, RGS, GRS which gives you a maximum of 6 permutations with only using 3 notes.

This is how the Dhrupad singers would practice. Ustad Amir Khan was forced to practice this way by his father as a child. Also the great carnatic musicians of India practiced this way. This is similar to the known “Merukhand system”.
What this book gives you is very similar.

This system was taught orally from teacher to student and memorized over repeating these permutations millions of time. It is amazing that this was finally put down on paper and made into a book. I can see why nobody has attempted to do this before. It’s NOT easy and looks like a lot of work!

It’s like the movie a Beautiful Mind but here the math meets music.
This book is a true gem and well worth the price. This is a completely different book compared to the other one by this author, “The Ultimate Riyaaz book”.
That book is Amazing also. They both cover 2 completely different ways of practicing Indian Classical Music.
These are 2 books that should be in everybody’s Indian music library. A true treasure!

See all 1 customer reviews…

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